| 000 | 01867 a2200229 4500 | ||
|---|---|---|---|
| 008 | 030327s2003 enk g 000 0 eng d | ||
| 020 | _a9780141439501 (pbk.) | ||
| 082 | 0 | 4 |
_a822.912 _221 _bSBP |
| 100 | 1 |
_aShaw, Bernard, _d1856-1950 _948192 |
|
| 245 | 1 | 0 |
_aPygmalion : _ba romance in five acts / _cBernard Shaw ; definitive text under the editorial supervision of Dan H. Laurence ; introduction by Nicholas Grene. |
| 260 |
_aLondon ; _aNew York : _bPenguin Books, _c2003. |
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| 300 |
_axx, 122 p. ; _c20 cm. |
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| 490 | 1 | _aPenguin classics | |
| 505 | 0 | _aChronology of the life and times of Bernard Shaw -- Introduction -- Principal works of Bernard Shaw -- Preface -- Pygmalion. | |
| 520 | _aPygmalion both delighted and scandalized its first audiences in 1914. A brilliantly witty reworking of the classical tale of the sculptor who falls in love with his perfect female statue, it is also a barbed attack on the British class system and a statement of Shaw's feminist views. In Shaw's hands, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a cockney flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his 'creation' has a mind of her own. This is the definitive text produced under the editorial supervision of Dan H. Laurence, with an illuminating introduction by Nicholas Grene, discussing the language and politics of the play. Also included in this volume is Shaw's preface, as well as his 'sequel' written for the first publication in 1916, to rebut public demand for a more conventionally romantic ending. | ||
| 650 | 0 |
_aMan-woman relationships _vDrama _948193 |
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| 650 | 0 |
_aSpeech and social status _vDrama _948194 |
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| 650 | 0 |
_aSocial classes _vDrama _948195 |
|
| 651 | 0 |
_aLondon (England) _vDrama _948196 |
|
| 830 | 0 |
_aPenguin classics _948197 |
|
| 942 |
_2ddc _cBOOK |
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| 999 |
_c37217 _d271717 |
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