000			01984cam a2200373 a 4500
001			15862211
003			OSt
005			20150408113956.0
008			111213s2009 enka b 001 0 eng
010			_a 2009032266
020			_a9780199566693
020			_a0199566690
035			_a(OCoLC)ocn377822899
040			_aDLC _cMU
043			_ae-uk-en
082	0	0	_a823.6 S L C _222
100	1		_aShepherd, Lynn, _d1964- _97836
245	1	0	_aClarissa's painter : _bportraiture, illustration, and representation in the novels of Samuel Richardson / _cLynn Shepherd.
260			_aOxford ; _aNew York : _bOxford University Press, _c2009.
300			_ax, 271 p. : _bill. ; _c23 cm.
490	0		_aOxford English monographs
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction : Samuel Richardson's 'paintive art' -- Eighteenth-century portraiture : form, use, meaning, spectatorship -- Richardson's first portrait : the Hayman conversation piece -- Richardson's first novel : images of Pamela from Carwitham to Highmore -- 'Now for a likeness to illustrate the surprising scene' : portraiture and representation in Clarissa -- 'I am a painter, madam' : portraiture and representation in Sir Charles Grandison -- Conclusion : Richardson's legacy, portraiture and representation in Mansfield Park.
600	1	0	_aRichardson, Samuel, _d1689-1761 _xCriticism and interpretation. _97837
650		0	_aArt and literature _zEngland _xHistory _y18th century. _97838
650		0	_aPortraits in literature. _97839
650		0	_aImagery (Psychology) in literature. _97840
650		0	_aMimesis in literature. _97841
650		0	_aIllustration of books _y18th century. _97842
856	4	2	_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy1007/2009032266-d.html
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cDVD
999			_c19576 _d254076