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  <titleInfo>
    <title>American modernism and depression documentary</title>
  </titleInfo>
  <name type="personal">
    <namePart>Allred, Jeff</namePart>
    <namePart type="date">1972-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
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    <place>
      <placeTerm type="text">Oxford</placeTerm>
    </place>
    <publisher>Oxford University Press</publisher>
    <dateIssued>2010</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>viii, 272 p. : ill. ; 24 cm.</extent>
  </physicalDescription>
  <tableOfContents>Introduction: Plausible fictions of the real -- From 'culture' to 'cultural work': literature and labor between the wars -- The road to somewhere: locating knowledge in Erskine Caldwell and Margaret Bourke-White's You have seen their faces (1937) -- Moving violations: stasis and mobility in James Agee's and Walker Evans's Let us now praise famous men (1941) -- From eye to we: Richard Wright's 12 million black voices, documentary, and pedagogy -- 'We Americans': Henry Luce, life, and the mind-guided camera -- Epilogue: depression documentary and the knot of history.</tableOfContents>
  <note type="statement of responsibility">Jeff Allred.</note>
  <note>Includes bibliographical references (p. 245-257) and index.</note>
  <subject>
    <geographicCode authority="marcgac">n-us---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Caldwell, Erskine</namePart>
      <namePart type="date">1903-1987</namePart>
    </name>
  </subject>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Agee, James</namePart>
      <namePart type="date">1909-1955</namePart>
    </name>
  </subject>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Wright, Richard</namePart>
      <namePart type="date">1908-1960</namePart>
    </name>
  </subject>
  <subject authority="lcsh">
    <topic>American literature</topic>
    <temporal>20th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Documentary photography</topic>
    <geographic>United States</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Modernism (Literature)</topic>
    <geographic>United States</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Literature and photography</topic>
    <topic>United States</topic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Photography</topic>
    <topic>Political aspects</topic>
    <geographic>United States</geographic>
  </subject>
  <classification authority="lcc">PS228.P48 A45 2010</classification>
  <classification authority="ddc" edition="22">820.9356 A J A</classification>
  <identifier type="isbn">9780195335682 (hardback : alk. paper)</identifier>
  <identifier type="lccn">2009002666</identifier>
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    <recordCreationDate encoding="marc">111210</recordCreationDate>
    <recordChangeDate encoding="iso8601">20150408113956.0</recordChangeDate>
    <recordIdentifier source="OSt">15598627</recordIdentifier>
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